Fakk
El Cementerio De Las Máquinas Parlantes

Big Hands marks Blank Mind's twentieth release on ‘A square, a circle’. A product of “the loopy miserable life in the big city which we are forced to live; and the need for metaphysical meaning, deep feelings and the tribalistic aspects of early folk music”.In other words, this EP is a contemporary urban blues that echoes in the austere realism of London. The recursive patterns and melodies haunting the sound groove like a spirit, and twist inside an echo chamber and tape machines. The ‘square’ and ‘circle’ in the title are symbols of simple abstraction that can generate multiple figures in nature and culture, as well as in the gyration of geometric play. As maintained here, his minimal sound palette shapes the elegant freedom of unexpected behaviours of the machinic ensemble. ‘A Square, a circle’ is an invitation to experience the geometrical liberation of sounds.

New Spanish label Bueno Records kicks off their discography with a reissue of a classic Spanish house record from circa 1998. The perfect record for the end of the summer, arriving just in time for the last summer days and nights. Limited copies, grab it quick!

Where We Met is proud to welcome RAW M.T. for its ninth chapter.The record is an excursion on Giorgio’s introspective world, showing all spectrum of his sounds and shades.You Can Still Dance is an effective breakbeat cut with a mellowing bass structure, In Trance keeps the mood further on with another breaky trip into melodies and back!This Is Not a Mindtrip slows down the bpm a bit and perfectly gets the record into another psychedelic dimension.Electro Queen close the EP with a stellar IDM track, something Richard D. James can clearly blink to.WWM009 is an elegant but dirty, effective but complex release that expresses Giorgio’s dedication to details: any sound, synth layer and drum is wisely combined to play with contrasts and synergies.

Another disastrous Poppers attempt at making people feel like dancing, this time featuring a promo release for DJ Tranquilos - a completely unknown "artist", never booked before DJ, virgin territory for bookers. Guaranteed to offer anything but tranquility to the listener. French vocal epic HiNRG pop cover and Soca dancefloor bulldozer on the A side. Heavy percussive acoustic drums with extraterrestrial synths and a sound effects DJ tool on the B side. Mastered for maximum dancefloor impact - only for true Peak Time DJs.

James K debuts on Incienso with sophomore album Random Girl. What’s gathered at first is a heterogeneous mixture of intimacy and sore, collected between 2014-2018. As if in a cruel playground game, K breaks a tracklist full of complex soundscapes, voice manipulation, and dazzling shoegaze with a self-built noise box, stethoscope throat-voice and a cellphone recording from a fake tropical island on ecstasy. Consequently, Random Girl is a voice against infantilization of girlhood, a decisive refutal of integrity, fighting what can be understood as the death of expression. Take a sip of water before your memory error blinks. Dial to K. Listen to the disfragmented territory and the cast of it she’s making. It might not be what you will have thought tomorrow.