Obergman
Invariant Hyperbola

With her DJing and creative project Automagicalley​ on hiatus, Adi’s 2020 ​has been home to a slower kind of alchemy - the creative processing of two years’ worth of musical sense impressions into the basic fact of a needle on a record.Our dear Walrus tells the story best:“Adi picked me up from El Dorado airport around Christmas 2018. I remember that moment stuck in a hot summer traffic jam, both of us laughing at the rattling from the trunk of her dad’s car - good ears! That evening we played outside under a lemon tree at one of the first Automagicalley events, a wonderful b2b full of curiosity and honesty about art, spirituality and life. Fast forward through some Europe trips - of course including a Basic Moves party - and we arrive at this mini album. The fruit of half a year of friendly exchange between Adi, me and our magical mix engineer Chris ‘Funk’ Ferreira, it reveals Adi’s authentic spirit - always moving, forever creating and endlessly believing.”Adi herself explains the many emotions and headspaces influencing her process: the self-reflective loop of lockdown, the ebb and flow of working alone and with others, the despair of conflict and endings, the dizzy optimism of a Don Cherry album. Now these feeling-frequencies can be heard even louder around the globe.

32A003 is a tribute to the six years Idle Hands spent on City Road in Bristol. The artists all have close ties to the city and reflect some of the UK centric that was pushed in the shop. This one is for all the record shops out there, as such this is a vinyl only release.

Obvious Transfer are back with a killer third release from QNTM CTRL. The super limited OBTRAN003 EP delves further into the wormhole, with a heady mix of dub and techno on 'Smokehouse Shift', followed by experimentations into outlandish abstract electro, in a King-Tubby-meets-Autechre trip through outer space and beyond. An unmissable, otherwordly release from the new Cultivated Electronics-born experimental collective!

12th Isle quickly follow on from the double LP 'Athenian Primitivism' by Christos Chondropoulos with two recordings from performance, voice and sound artist Lucy Duncombe. Cut to 10" vinyl and mastered by Morgan Buckley (Wah Wah Wino), 'Brace / Mend' are collaborative works exploring an early musical fascination with theatrical vocal transposition and its duality with machinic interference and technologies. Lucy recently expanded upon this practice with a joint tape release with DJ Crud (Al White) entitled THE RAPTURE OF CELLULAR ACCRETION. This limited run single continues 12th Isle's on-going relationship with musicians in their city of Glasgow.

The A-side, Ronin (aka. J. Axel) the man behind several albums on PlackTown Sounds, Plastic City and Driftwood brings us "Mysterious City", classic Ronin sound here folks this being one of the first releases by the artist back in 1998. Followed by Swedish producer Johan Bacto (aka. Johan Svensson) responsible for labels such as PlackTown Sounds, Everyday, Mankind, Zync, Countdown 2000, with his "Takemountain" the combination of these creates the reunion of the tracks previously released 24 years ago, sounds just as fresh now as it did back then.The B-side Van Delta (Christopher Bleckmann & Hannes Wenner) a German duo in charge of EP's on Groove Attack Productions, M_Nus, Archipel, and Krush Grooves, gives us a nostalgic trip from 1999. "Adjust", with hypnotic keys and solid bass line building up the tension slowly but steadily creating the groove. The final track by Dav (aka. Davor Stosic) a Croatian artist B+Positive, Cove Recordings, and Sensei labels that regularly has been on Swag Records store shelves. "Flight", a fantastic example of late 90's tech-house. Hypnotic soundscape, variety of layers and a slow build up, giving the track an otherworldly feeling.All tracks were produced between the years of 1998 - 2003, timeless and rarer then rare.

The idea for Suemori's new alias arose in conversation with Osàre! Editions label boss, Elena Colombi. An inheritance from his grandfather, the name sets the tone of the album that synthesises traditional Japanese instruments into an electronic format. Dub and drone’s eerie resonance collides with staccato electro and fizzling acid on ‘Yakkosan.’ Driven by a meditative beat, flutes and choral voices glide through 'Senpai Kouhai' while ‘Hankumoi’ shudders with lucid synth. The cultural iconography of Japan emerges from this dark, textual landscape, haunted both by the ghosts of the past and spectral sound of the future.