Lunatik
Pellicola

When British Airways got privatized and listed on the London Stock Exchange, somewhere in Canada the first Starbucks outside of the US opened, and the Walt Disney Company signed an agreement with the French Prime Minister to construct Disneyland Paris. In the sky above southern Argentina, Equatorial Guinea, Cameroon, Sudan, Ethiopia, Djibouti, northern Somalia, and the Atlantic Ocean a hybrid solar eclipse materialized for 7.57 seconds, whilst Margaret Thatcher performed for 45-minutes on Soviet television. Some days later, The Simpsons cartoon first appears as a series of shorts on The Tracey Ullman Show, Diego Maradona wins his first Italian soccer championship with Napoli, and Eighteen-year-old West German pilot Mathias Rust lands a private plane on Red Square in Moscow. In the mists of the world's first conference on artificial life at the Los Alamos National Laboratory, the first Kentucky Fried Chicken restaurant in Mainland China opens in Beijing, and Prozac gets approved for use as an antidepressant in the United States. Much give way for the future, down there in 1987, the year that marks the title of Benedikt Frey’s freshest mini album, out into the world on R.i.O., the label he runs with some pals in the North of Berlin. It’s a dubby melancholic conqueror, wistfully, repetitive, drilling, absorbing, spooking. It makes you dream. Not particular of the year 1987. But it’s all there: The Red Square, the untouched land of the Val d'Europe, Diego on fuego. Six dark-ish tracks in trance, melancholic dub, downbeat heaven, journey music depths, all full of light and yet so dark. Futuristic dramas linked to a speculative past. In our dreams all might look different. The eclipse may last 27- minutes. You meet Neuromancer cyberpunks and blade running Ghost dogs, all taught to hack by Phrack. Cristal clear melodies, sampled voices, and veiled basslines, analogue scopes, and digital ropes, longing for a past that storm into the future. A time where deep listening widens the acoustics into infinity, while neon glows charm the light smog. Benedikt Frey been down there. Or maybe not. His latest music tells stories from the bygone, vested with the forthcoming. Come in and look out. There is nothing to see, yet so much to hear.

Atelier Baros, the 6th release from DisDat, is a 3 track EP by the Romanian master of texture, harmony and rhythm, Petre Inspirescu. The three tracks appearing on DisDat 006 / Ooze 000 each respectively offer singular experiences in atmospheric house, ambient and techno storytelling. “Foc,” “Si” and “Para” are tunes for the dance floor packed with layers of composition taking us back through time to our prehistoric heritage. The sounds of “Foc” and “Si” found on side A, in tune with the sophistication we’ve come to expect from the Dis Dat label, deliver an evocative soundscape where the relationship of humankind to the mastering of the elements––fire, earth, wind and water––can be felt.“Foc” (A1) a pulsating ethnoindustrial house track which spares no time in spreading its storied web, carries strong undertones of universal harmonics alongside the immediacy of bright splashing beats and upfront melodies. With “Foc” Inspirescu awakens the mythological figure of Hephaestus, the divine smith and patron of craftsmen, bequeathing the tradition of taming of such powerful elements such as fire and iron to humankind. Conjured here are the ancient ties binding human development with the essential elements that have become inseparable from our very lives, fire and iron, water and wind, all the while implicating the listener as the present day deity carrying the fruits of age-old discoveries and historicity.The storytelling power of A1 is followed with “Si” (A2) a playful and uplifting meditative groove on the power of the sublime, the awe inspired by the experience of the grandeur found in the universal soul of all things. The full bodied sound of “Si” aided by complex organic percussion work, flightlike harmonies and metallic grooves reinforce our industrial heritage while grabbing the listener for a journey through layers of dreamlike states and spatial reflection.The pulsating techno sound of side B brings together the elements found on “Foc” and “Si” into “Para” an unmistakably tight and danceable track; “Para” has also bloomed into the inauguration of the Ooze label, which will serve as DisDat and ReSolute’s outlet for the techno colored side of the musical spectrum. “Foc si para,” as the saying goes––it doesn’t take long to feel the flight of that raging fire connecting our age to how it all began.

London-based Kouslin's Le Chatroom imprint presents LCR003; a percussion-heavy release of four tracks from close friends and affiliates.Taking inspiration from rhythms around the world and the uproar within the new-gen UK Funky scene, Le Chatroom once again exhibit their ethos of eclecticism that has found them in the record bags of the likes of Ben UFO and Call Super.Big Brothers' frontman Amor Satyr (also of Parisian collective Boukan Records), channels heavy baile funk on 'Hohohoi', with razor-sharp low-end separation and haunting harmonies.Soreab (Baroque Sunburst/BeatMachine) serves up a hearty cut of low-slung, tribal drum funk with a groove synonymous of Hessle Audio sets.Having recently featured on an R&S Records compilation, plus a release on More Time Records, rising artist DJ Tess presents her new “Mala Femmina” alias and offers up a triplet-based 4x4 groove with relentless icy blows and rotating polyrhythms.Livity Sound's Cando close out with a remix of Soreab's 'Cave Walk'. Racing away with dancefloor panic, the intricacies of the remix shine through via its claustrophobic and pristine mixdown.

101*3: The clouds drift by gently and there's a smell in the air reminiscent of apollo fruits. I lay down in the grass and for a brief moment everything is at peace.

Four new tracks by Sierra Romeo, the perhaps lesser known pseudonym of Stefan Robbers, focussing on ambient, downtempo and experimental electronica works. The legendary Dutch producer, known for his releases on Djax-Up-Beats, Planet E and his own Eevo Lute Muzique, revitalises the moniker to present four beautiful electronica pieces on the Delsin Eevo Lute series, that also remind of his beautiful Florence tracks.

After one year of break, Amam are back with nostalgic yet groovy beats by one of their oldest friends. Four enveloping tracks signed Difid that will put you in the dance mood.