Jata
Stutter I / Midsate / Stutter II

Undersound marks its 20th release with a collection of tracks from Scatterbaux. While the producer has a few sparse releases online, he displays considerable dexterity on these hardware jams.The A-side heavily features the classic 303 synth and opens with “Ghosts On The Wing”, where the artist is experimenting with an 8 bar acid pattern overlayed with dreamy leads and pads. This is followed by “Acid Squabble”, where two 303 lines bounce off each other exchanging their filter positions conveying a range of feelings and emotions.The B-side follows with “Chamber 27”, an electro jam with 808 drums and a driving 101 bassline. The EP closes with the fast paced “Womp Bucket”, with its evolving drum patterns and emotional overtones, completing a showcase of the producer’s signature acid tinged style.

"‘Beneath the beauty’ Transparent Sound inbound on PTX028 with Freddie Fresh on the cut."

Diskop & Pan4ez made two killer edits on old bangers. Check this sound!

Old friends John Cravache and I:Cube teamed up to release Chimère Fm’s debut album on Versatile records.Endless improvised studio sessions seamlessly blending electronic synthesis and post dada cinematics.Dreamy synth funk rubs against pagan rhythms and minimalist electronic drones.This album will take you to soundwave paradise.Chimère Fm is an imaginary radio station broadcasting its stellar weirdness livefrom Paris !

Written over 3 months during Autumn 2020.For Maisie.

Big Hands marks Blank Mind's twentieth release on ‘A square, a circle’. A product of “the loopy miserable life in the big city which we are forced to live; and the need for metaphysical meaning, deep feelings and the tribalistic aspects of early folk music”.In other words, this EP is a contemporary urban blues that echoes in the austere realism of London. The recursive patterns and melodies haunting the sound groove like a spirit, and twist inside an echo chamber and tape machines. The ‘square’ and ‘circle’ in the title are symbols of simple abstraction that can generate multiple figures in nature and culture, as well as in the gyration of geometric play. As maintained here, his minimal sound palette shapes the elegant freedom of unexpected behaviours of the machinic ensemble. ‘A Square, a circle’ is an invitation to experience the geometrical liberation of sounds.