B-2DEP'T Z@P
BSMH [Z@P’s Sonic Re-Interpretation]

KG Beat - The Breathing Engine © 1995 Quake RecordsCosmic Soup Sound System - Eddie De Boing De Boing © 1994 Filterless Records2 tracks.45 RPM.Compiled by Rey Colino.Mastered and Cut by Marco Pellegrino.Design by AJAM.

Following up 2 VA releases, Threads' journey continues with a solo EP signed by mpeg.The Dresden-based artist delivers a superb EP, an immersive trip into minimal / trance house sound distinguished by his very own array of soft acid synths and percussive lines.We loved the excursion of the EP, every track is sensual yet effective, and generates an extraordinary impact on the dance floor at every different moment of the night... or morning!

The latest venture in the ToneShift imprint from UK-based label Comma Traxx welcomes emkay and Janthe to the Comma releases catalogue alongside label boss Hannd and frequent releaser Cosmic G. Each track stands out individually but works together seamlessly to create a complete compilation package. Hannd’s ‘Ratio Extract’ acts as the modernized progressive house representative on the VA, merging intricate sound design with developing goa’esque melodies forming a fine line between euphoric uplift and rolling peak time ammo. emkay’s ‘Rays Of The Sublime’ does as the title suggests, sending the listener into an uplifting state of bliss, combining raw break percussion with intricate synth developments - a strong representation of why the talented producer is a name to be reckoned with at the moment. Cosmic G draws on old-school goa trance influences for ‘Life Pride’ fusing tribalistic percussions tastefully immersed with deep and atmospheric sound design. Janthe’s ‘Conversations’ blends dubbed-out house flavours with prog-like rhythms to bring the fantastic finishing piece to the compilation puzzle.

Carved out from between the cracks of life over a 2 year period, Low Flung presents his eighth full length album ‘The Wheel’. Together, the 11 tracks provide a space to process and sit with difficult change. This takes the form of microscopic minimalist landscapes. Presented in both audio and physical form as micro grooves on a 12” vinyl. At times the sound wanders and walks, other times it remains still, clear and precise. The omni-present artifacts found in ‘The Wheel’ are left to breathe a different life during each listen. Drones act like familiar trails losing their path as space transforms like a breeze over a table of sand. Hyper focused spores evolve around blurred waves of time. Electronic tones are captured flowing to the rhythm of a decaying natural world.‘The Wheel’ is a patchwork of sonic experiments made using modular synthesis, fixed architecture synthesis, Buchla Music Easel (replica), outboard effects, cassette manipulation techniques, samplers and field recordings taken along the texturally rich and historically questionable eastern coastline of Australia.The tracks have been composed with a materiality that embraces the acoustics of different listening environments. Much like mood, this means each listening experience is unique due to the natural acoustics of your listening space. The sounds on this album embrace this phenomena, creating a rich, visceral listening experience that slowly scratches away at discrete moments of timeRather than attempting to traverse new sonic fields of experimentation in ‘The Wheel’, the album touches on the various spaces Danny has explored over the past ten years as an Audio Visual artist. Although technically eighth, it would be more fitting to say this album draws a clear line from ‘Blow Waves (2018)’ to ‘Outside The Circle (2020)’ to become the third and final chapter in the expanded non linear, unintentional landscape series. Serendipitous that each was conceived over 2 year periods of time. While the key focus is sitting with difficult change, this album is also a celebration of any moment you might find yourself in. Good, bad, easy or hard, this album is an attempt to help with feeling content wherever you are along your path. With each cycle a new context.

Up next on Space Dust is Miles, exploring 4 variations on an other-worldly electro vibe with his 'Peeking Through Clouds' EP. The landslide-worthy bassline of 'Hole in the System' kicks off proceedings, with sharp claps and sizzling rides occupying the space left behind, while squelching stepper 'Light Years Away' presents itself as another wieldy dancefloor weapon on a US-garage tip.On the flip, bass continues as the dish of the day through 'In Transmission', as moody synth work rides a subdued breakbeat. 'Peeking Through Clouds' boxes off the EP in an ethereal fashion... but this shimmering closer remains a floor-focussed weapon.

After having him collaborating with MER’s very own Cabanelas on the B side of MER006, Fernando Zapico aka Z@P releases a full four-track EP. A record crafted with an unique imprint covering a wide range of sound within techno. A1 Submarino stands out for its ticking drumming plates and soft synths creating a sort of suspense atmosphere. A2 Sensations travels through a classic grooving sound with bright drum plates, stomping kick drum and timeless vocal sound. On the flip side, The Box features a more hypnotic and brassy sound by moving along an oscillating bassline and a jazzy percussion set. B2 features Frank 717, a peak time track with sharpened-plates percussion with an acidic and playful bassline.