Tunik
777

Amsterdam producer Kaap steps forward on his own De Lichting imprint with three twisted jams of deep and playful techno. The passionate gearhead, known for his dubby takes on house and techno, started his Working Titles playground back in 2017 by running a niche cassette outlet Yield on the side. In late 2018 he merged into the prolific De Lichting collective and is a frequent guest on Indigo Aera's AEX series. After many years of hard work, Kaap's new solo EP is surfacing, and it's worth the wait. Over the course of three tracks, Kaap shows high levels of creativity. The first track 'Razor' is a bouncy bass wobbler, its rubbery acid lines and crispy percussion make it an ideal party starter. Title track 'Omen' reaches for deeper grounds, a deep and murky groover enlightened by tactical bleepy rhythms. Kaap's love for dub-techno triumphs on the lengthy b-side as a closer on this EP. With over ten minutes of hazy atmospheres and mesmerizing pads, it builds and builds towards the rolling fields of euphoria.

We are very happy to welcome Richard Brook to our roster. This UK-based veteran, better known for the releases on Warp Records as part of the Wildplanet™️ duo in the 90s, opens the EP with “Caldera V” an emotional breaky workout with an acidic switch halfway through. The unpredictable rhythms and contrasting melodic elements are reminiscent of the golden Sheffield days. On the flip-side “Skaros” is a straight acidic workout with sinister overtones and a steady groove that will keep the dancer glued to the floor at all times of the night.

Strange Echoes 95 - 99 is music that woke up yesterday bearing a message for tomorrow. Excavated from the late-90s and largely rematerialising for the first time on vinyl, the album carries a selection of sonic diamonds by bona fide sound experimenter Xingu Hill (John Sellekaers). The fully remastered tracks pull the curtain back two decades to offer a snapshot of a prolific five-year period in Sellekaers' expansive soundverse, which runs the gamut from brain-bending, emotive ambient outings to driving, acerbic industrial experiments. Timeless music for keeps in the age of disposables; a reference to early rave and trip-hop aesthetics that could just as very well be one music clairvoyant's nostalgia-inspired preview of things to come.

Evocative and spooky contemporary prog. Mekine U Teksi has absolutely nailed it to fetishist levels. It sounds like the synths were the only thing keeping the castle warm the night this was recorded.The whole record it's made even more unnerving by the fact that the 4th track doesn't exist.

Millia, real name Akeem Asani, was born and raised in the Midwest and is now based in the Windy City. With his dancefloor-ready solo project seeing releases on Sweat Equity, Knightwerk, and a string of self-released singles online, Millia has received support from NTS regulars Re:ni & Laksa, Bradley Zero, and Otologic, as well as club and festival plays from Nick León, Tammo Hesselink, Gramrcy, LCY, and Shanti Celeste.For his latest offering, Millia readies two rich organic and dub-influenced tracks for Roy Mills’ Local Knowledge imprint. ‘ACAB Break’ combines psychedelic samples with tripped out breaks, deep subs, and dense, spacey atmospheres. On the flip, ‘Trip Dub’ delves further into dubwise territory, delivering a tense percussive affair of cavernous soundscapes and weighty drums that stretch effortlessly across the B-side. Elsewhere, with Kindtree and Concave Reflection, Akeem is part of the downtempo super-group Purelink, who enjoyed acclaim with their ‘Bliss / Swivel’ 12” and followed with their debut EP on UwU Dustbath and a performance at New York festival Sustain/Release. Akeem picked up Resident Advisor’s ‘Mix Of The Day’ for his Motion Ward mix in 2022, and has featured DJ mixes with Animalia, Knekelhuis, Warning and c-.

Entombed between the approaching war machine, Berlin's squat metal underground and the corrosive electronics broadcast from the Hague's bunker network, Chaosy's "Bad Magic" marks his first on the label, with tracks pulled together from equipment left behind in Ukraine and resurrected in makeshift studios while on the road.