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Baby Rollén’s Slump Recordings kicks off 2024 with a powerful 4-track EP of dancefloor ready, tech-driven rollers with an authentic 90’s feel throughout. Brothers Will and Max, aka Duowe continue to mesmerize clubs with their classic OG house sonics.

Carved out from between the cracks of life over a 2 year period, Low Flung presents his eighth full length album ‘The Wheel’. Together, the 11 tracks provide a space to process and sit with difficult change. This takes the form of microscopic minimalist landscapes. Presented in both audio and physical form as micro grooves on a 12” vinyl. At times the sound wanders and walks, other times it remains still, clear and precise. The omni-present artifacts found in ‘The Wheel’ are left to breathe a different life during each listen. Drones act like familiar trails losing their path as space transforms like a breeze over a table of sand. Hyper focused spores evolve around blurred waves of time. Electronic tones are captured flowing to the rhythm of a decaying natural world.‘The Wheel’ is a patchwork of sonic experiments made using modular synthesis, fixed architecture synthesis, Buchla Music Easel (replica), outboard effects, cassette manipulation techniques, samplers and field recordings taken along the texturally rich and historically questionable eastern coastline of Australia.The tracks have been composed with a materiality that embraces the acoustics of different listening environments. Much like mood, this means each listening experience is unique due to the natural acoustics of your listening space. The sounds on this album embrace this phenomena, creating a rich, visceral listening experience that slowly scratches away at discrete moments of timeRather than attempting to traverse new sonic fields of experimentation in ‘The Wheel’, the album touches on the various spaces Danny has explored over the past ten years as an Audio Visual artist. Although technically eighth, it would be more fitting to say this album draws a clear line from ‘Blow Waves (2018)’ to ‘Outside The Circle (2020)’ to become the third and final chapter in the expanded non linear, unintentional landscape series. Serendipitous that each was conceived over 2 year periods of time. While the key focus is sitting with difficult change, this album is also a celebration of any moment you might find yourself in. Good, bad, easy or hard, this album is an attempt to help with feeling content wherever you are along your path. With each cycle a new context.

Following much love for his EPs, remixes and club sets, the virtuosic DJ/producer Simo Cell’s debut album 'Cuspide des Sirènes' doesn’t disappoint. In fact, it takes things to a whole new level. With a fantastical menagerie of anthropomorphism, sounds create characters and tools; the mermaid-like Sirens, the mind controlling Octopus and the Magic Conch Shell: “Have you heard of the legend of 'Cuspide des Sirènes'? This is not a simple tale, but an incredible tapestry woven over many years and through countless wondrous adventures. I will recount the legend as it was recorded in the ancient scrolls. The album’s story explores the themes of magic, enchantment, charm, and allure, but also personal fears. The protagonist (me) embarks on a quest to find the hidden lake and confront his own demons, in order to understand and master his own power. The protagonist is armed with a powerful conch shell. As he embarks on his journey, he will encounter Sirens who will teach him various chants. These melodies hold unique powers and grant the main character the strength to confront and overcome any danger that may arise.” Simo Cell Musically, the LP is a continuation of Simo’s journey that began with the ‘YES.DJ’ EP, with a synthesized/modernized take on noughties hip hop, bass music, trap, ghetto house and ghetto tech – but here he broadens the scope, massively. Exploring new pathways through magical landscapes, via infused melodies, emo and pop, the sensations are bright and addictive, like a sugar and endorphin cocktail. There’s a screen sheen and video game quality too, sounding like the high-octane score to an action flick from the year 3000, with unimaginably wild SFX. 'Cuspide des Sirènes' is the kind of record to stop someone in their tracks, to ask “what IS this?”, provoking bass face, perplexion, fascination and manic glee, all at once. Not so much organised chaos as intricately-crafted-borderline-unhingement, the album is slightly bonkers, in a very good way. There’s a boundless sense of childlike, unencumbered imagination at play, and an abundance of fun, but there are moments of serious-deep-beat-science for the heads, and introspective passages too. There’s a lot going on, with detail, layers, flourishes, arrangement, melodies and myriad fresh sounds – but it’s never too much; just a really engrossing listen – the kind that that ruins ones appetite for prosaic, vanilla dance music, rendering such 2D pursuits boring and obsolete. Ideally, the album is meant to be experienced as a seamless narrative from start to finish, so leave any inhibitions or preconceptions at the door, and let the pied piper of electronic futurism lead you way down the rabbit hole. 

After another long hiatus, BEAM is excited to present the vinyl debut from rising star and nebulous neurocranker, al dente. Over 4 tracks, ‘Running and Falling Over’ captures the stylistic fluidity we have come to know and love from Naarm/Melbourne. Ever present traces of Dozzy refract through millennium-bug tech-house, summoning atmospheres of deep yet ever playful psychedelia. Opening the A-side on ‘Ripple Effect’, pulsating drones and echoes of organic percussion slither through the undergrowth. ‘Soft Steps’ explores fractal resonance amid expansive, evolving textures. Flipping to the B-side, ‘Unfold’ melds paranoiac psy with a wiggly tek swagger. Slow-burner ‘Blue Trial’ closes out the EP – a proggy roller for the eternal sunrise. Mixed by Declan VadaszMastered by Marco Pellegrino @ AnalogCutArtwork by Rudi SchmidtType by Studio Joel

We travelled along the curvature of the earth and bent our minds asunder to get to where we are now. The passing of time has only made the lore more precious. With the gifts we have been provided, the story can finally begin.A man with drum machines, keyboards and a penchant for rawness enters. With rough takes and a distaste for convention, he emanates the sonicisms of TriForm. The forces of Earth are captivating but sometimes they conspire against you, and sometimes you lose revered recordings for abnormal reasons. From these once thought irretrievable tapes, he manifested the Refound EP.An ode to the EP’s arduous production, ‘Lost and Found’ revels in classic 90s house euphoria. Iconic bass stabs elevate and punctuate the succinctly aligned keys, causing big smiles and dancing miles. ‘909 Anodyne’ waxes and wanes, the vocoder-like synths repeating and reinventing over the mellifluous chords and the time-honoured drum machines' canonical reverberations.Flip the wax for ‘Attrakted’, a crunchy concoction with big-room tendencies. The bells are alive, and they’ve given you a thumping DJ tool that just won’t quit. Rounding things off is the aptly named ‘Younight’, lock in and get blindsided by the subtle acid, choral keys and saccharine beat. It’s emotion ‘til the very end.This is house music for every moment, made with machines and love. No AI, guy.

Luther Vine's Fragments Of Reality and its various artists series have been a real doozy for 20/20 but now the sub-label offers up a first solo EP. It is Snad who gets the gig and he is a house producer from Berlin making big waves right now. This one follows outings on Chicago's Kimochi Records, Chez Damier's Courtesy of Balance and the Dungeon Meat label and is another raw, stripped-back offering of tough house. 'Bootlickerz' is a bristling cut ready for the peak time, 'Goobernatorial Candidacy' has a more stripped-back but just as compelling groove and 'Per Savour' goes deep into late-night goodness before closer 'Butt Heads' picks up the pace once more.