Voigtmann
Aesthetic Solutions EP

Jochem Peteri comes drifting back into earshot with some new NWAQ tackle in tow. Beyond the plentiful reissues of his timeless earlier works, Peteri is just as productive in the here and now. Now he’s minting a new label with three pieces that embellish the NWAQ soundworld with a fresh slant. ‘Above II’ is a crystal clear beam of light strapped to a kick that trips over itself with grace and poise. It’s forthright and yet wholly untethered, a pre-echo for the anchorless expanse of ‘Above I’, which buries some heavy bass ruminations very far down in the mix. That leaves it to ‘Dume’ to come staggering out all bleary-eyed, caked in last night’s distortion and yet still exuding a cracked beauty that stands up to the first light of dawn. The artwork which adorns this record is by environment sculpting internet artist Jan-Robert Leegte. NWAQ has always stood for a kind of environmental immersion, and this new emission compounds that idea in three distinct, refreshing ways.

Over the course of the year, Superluminal has assembled four different compositions reflecting each artist's devotion and fascination for synthesizers and drum machines. Melancholic arpeggiators, funk-driven techno grooves, and sharp-filtered vocoded sequences written by Edward Norton. Joyful minor-key bass lines carved into electro-wave atmospheres over Roland Tr-606, 808

Marie Montexier, head of Paryìa Records, releases the label’s first EP by German-Turkish artist a.b.u.3.0.3. Creating a range of slow and fast rhythms while mixing different genres from experimental structures to floor fillers, Paryìa I doesn’t only highlight a personal and intimate side of a.b.u.3.0.3.’s work but also Marie’s sense for crossing genre boundaries.Influenced by his father’s culture, a.b.u.3.0.3 blends elements of traditional Anatolian folk with electronic music that shaped his youth. He combines bass-heavy techno rhythms with deep acid patterns, letting his arrangements oscillate between nostalgic moods and contemporary sounds.

Pa’volar strikes back after a solid debut EP being sold out in only a few weeks.This time, A side of Mental Nature EP introduces Venezuelan artist Baffa who delivers two tracks inspired by the golden years of UK’s Tech House with a refreshed sound and personal touch.B side features label boss Neoser who continues exploring new sounds with a wonderful and eclectic house track followed by a catchy breaks tune with dreamy pads and addictive vocals to close the EP with a good vibe.A must-have record suitable for every occasion that won’t leave your record bag.

For our eighth release we are proud to host the Madrid-based producer Arnic with his first full record on tresydos. A familiar face of our label, Arnic not only plays regularly at the tresydos showcases in the Spanish capital, but also already appeared on a VA and delivered a mix for our podcast series. From the start of the record, the style is strikingly groovy and deep, combining captivating funky basslines, sharp house rhythms, and jazzy harmonics. While some tracks come across as perfect ‘hands-up’ club gems, the production on this record shows a lot of depth to it, encompassing elegantly suspended atmospheres, softly psychedelic touches in its synths-work, and even some downtempo beats. Arnic’s tresydos record debut escapes easy formulations in favor of a strong personality in every single track - tresydos008 is a quality and versatile record not to be missed.

After this pair of Leeds residents made waves last November with their first EP for Pilot, Bobby O'Donnell and Reeshy return to lay down four new tracks that definitely stray towards the electro end of the breaks/electro spectrum. There's a sense of continuity, as the first EP's tracks - labelled 1-4, are followed by tracks 5-8, as well as being executed with a proper human touch that not all such machinefunk can boast. '6' is full of spiralling Drexciyan mystery, before being pared down to an LFO-style bass prod. '8' also echoes the former legends of Leeds with its dreamy pads and acid backdrop - something in the local water supply. Definitely funky enough to keep the breaks DJs onside, but with a thorough knowledge of love of 40 years of electronic music heritage at its disposal too, this is one release you should make sure you not miss.