Quaid
REZ18eighteen

Konerytmi is back for his final EP on the Telomere series!Here we have again a SIX track mini LP! With a blend of breaks, electro, IDM and tech house, there’s something for all hours of the night! Very limited numbers as usual.

Wax’o Paradiso Recordings presents its debut outing on vinyl, OK EG’s Intertidal Zone EP. The new label from the long standing Naarm (Melbourne) party is set to explore hi-fidelity, landscape-driven and cerebral music from the antipodes and beyond.After sold out pressings on local imprints Animalia and Steeplejack, this EP explores a more contemplative side of OK EG, suitable for discerning dancefloors and meditative home listening alike.Conceived in 2019 and completed in 2020, Intertidal Zone was recorded in collaboration with percussionist Phil Stroud. The rhythm tracks are a fusion of drum machines and hand drums, loose percussion, human voices and tuned percussion immersed in water. Joined by analog synthesisers, layered vocals, processed guitar and field recordings, the music evokes solastalgia and a reverence for nature. The final track, Golden Hour, came from an improvisation with multi-instrumentalist Adam Halliwell on flute and jazz musician Jack Doepel on Korg bass, later transposed to modular synthesiser.Wax’o Paradiso and OK EG acknowledge the traditional owners of the land on which this music was recorded, the Wurundjeri people of the Kulin nation, and pay their respects to elders past, present and emerging.

Well who would have bloody thought it. 20 releases on Holding Hands. That is bananas to be typing that out. It’s been a hell of a ride and I am over the moon to be able to confidently sit here and say that I still absolutely love every single release that has been put out since the first back in 2017. What a bunch of absolute slammers!

The new LP by Krefeld-born, Berlin-based artist Philipp Otterbach entitled 'The Dahlem Diaries'.Recorded in a little-visited corner of the German capital, 'The Dahlem Diaries' is a convergence of ideas, sketches and tracks, both old and new, most of which were produced between 2020-2022. Whilst eerie atmospheres, electronics and drums have played a pivotal role in Philipp’s earlier releases, his latest is a rather more introspective affair, in which the guitar takes a leading role. A role Otterbach uses to quietly bring light and hope to his music.Speaking about his writing process, Philipp explains that, based around his original compositions, “Friends were nice enough to contribute additional parts on their instruments which I then reworked, put together and re-contextualized. The recordings encapsulate a very specific moment in time, one that would have sounded perhaps very different the day before or after.”Combined with a strong use of effects and field recordings, 'The Dahlem Diaries' feels somewhat like a scene or fragment from a story, in which the narrative remains undefined. It is a playful album that is something of a blurred underwater adventure, sounding as bright as it is hazy, even psychedelic at times, yet with an almost melancholic positivity. In Philipp’s own words: “It could be an album about friendship and being at one with myself, whilst at the same time bringing a certain seriousness to my music, but not necessarily to myself; there is also a playful humour hidden in there. ”Artwork by David McFarline.

After Jimmy Batt setting the bar very high with his “Retrospection” LP, OPIA Records invite two modern day innovators of dance floor energy to create their eleventh release. Taking up a side each on the record we have Rakya’s Idris Bena, and Slowlife affiliate, Paolo Mosca - a combination you never realised you needed.Bena kicks things off with his elastic grooves and futuristic melodies in “Earth Delight”, constantly evolving, a certain signature of his sought after sound in recent times. “Blood Moon” is another playful journey that leads you towards “Home”, a pacey and animated encounter.On the flip, Italian maestro, Paolo Mosca makes his mark with his precise and well executed productions. From a DJs point of view “Different Places” is a statement track, to catch the party in the moment, beautifully arranged with deep strings and a vibrant organ line. “Orion Trance” steers the ship in a different direction, melding together rubbery acid bass and euphoric synths.Two producers in their element, sitting strong on the evergreen OPIA imprint this summer.