Sun Genam & Altjira
Trans-conceptual Dimensions

Nostalgia is a hell of a drug. No one in particular is renowned for that cliched statement, but when something is so universal, who cares who said it? And is there anything more nostalgia inciting than a blurry film, bursting with colours but aged just perfectly so that you know, it's from a past which will never return. Het Jaarronde, a 1977 short film by Dutch amateur filmmaker Jan van Keulen is a picture perfect study of Dutch rural life. Filmed at an observer's distance it, as the title states, follows the Netherland's throughout the year. It's not bombastic and grand like 1967's John Fernhout film, Sky Over Holland. Instead it's modest, even shy, as if afraid to document too much because to document means to acknowledge change and loss. For the second time, Nous'klaer and The Netherlands Institute for Sound and Vision's RE:VIVE initiative have teamed up for a split 12" featuring two new film scores of Nous'klaer staple, Mattheis and newcomer Ranie Ribeiro. Each artist was given half the film to compose for, resulting in two sonically disparate pieces that are emotionally twinned. Mattheis offers a lush, heart melting wave of pianos and synths and field recordings to appease his own inner-nostalgia, as the images struck an immediate chord with his childhood and youth in Goeree Overflakkee, South-Holland. Ranie Ribeiro, known under his solo moniker for his slamming chopped beats and earlier club oriented releases as D-Ribeiro unveils his talents as a harpist for the first time. His work, is an encapsulation of a calm autumn day. A work in the present rather than a reflection on the past. But as the day fades into night, one can't wish for it to stay, just a little bit longer, because who knows what tomorrow is going to bring?

Atelier Baros, the 6th release from DisDat, is a 3 track EP by the Romanian master of texture, harmony and rhythm, Petre Inspirescu. The three tracks appearing on DisDat 006 / Ooze 000 each respectively offer singular experiences in atmospheric house, ambient and techno storytelling. “Foc,” “Si” and “Para” are tunes for the dance floor packed with layers of composition taking us back through time to our prehistoric heritage. The sounds of “Foc” and “Si” found on side A, in tune with the sophistication we’ve come to expect from the Dis Dat label, deliver an evocative soundscape where the relationship of humankind to the mastering of the elements––fire, earth, wind and water––can be felt.“Foc” (A1) a pulsating ethnoindustrial house track which spares no time in spreading its storied web, carries strong undertones of universal harmonics alongside the immediacy of bright splashing beats and upfront melodies. With “Foc” Inspirescu awakens the mythological figure of Hephaestus, the divine smith and patron of craftsmen, bequeathing the tradition of taming of such powerful elements such as fire and iron to humankind. Conjured here are the ancient ties binding human development with the essential elements that have become inseparable from our very lives, fire and iron, water and wind, all the while implicating the listener as the present day deity carrying the fruits of age-old discoveries and historicity.The storytelling power of A1 is followed with “Si” (A2) a playful and uplifting meditative groove on the power of the sublime, the awe inspired by the experience of the grandeur found in the universal soul of all things. The full bodied sound of “Si” aided by complex organic percussion work, flightlike harmonies and metallic grooves reinforce our industrial heritage while grabbing the listener for a journey through layers of dreamlike states and spatial reflection.The pulsating techno sound of side B brings together the elements found on “Foc” and “Si” into “Para” an unmistakably tight and danceable track; “Para” has also bloomed into the inauguration of the Ooze label, which will serve as DisDat and ReSolute’s outlet for the techno colored side of the musical spectrum. “Foc si para,” as the saying goes––it doesn’t take long to feel the flight of that raging fire connecting our age to how it all began.

First split on ROOM record, a bipolar EP between Berg Jaar & Breekbaar. Raw packaging, no bullshit description... Let the music do the speaking.

(ASMR) is a tingling sensation that usually begins on the scalp and moves down the back of the neck and upper spine. It signifies the subjective experience of "low-grade euphoria" characterized by "a combination of positive feelings and a distinct static-like tingling sensation on the skin." It is most commonly triggered by specific auditory or visual stimuli.

After a short break, renowned underground label Bass Culture is back. The outlet has been a source of high quality electronic music since 2009, building a solid reputation over the past 13 years. Label boss D’Julz leads the charge with the first Bass Culture EP since mid-2021.The Est. 1992 EP sees the seasoned Parisian delving into his own history to produce four cuts that epitomise the sounds present in the early nineties, all wrapped up in contemporary packaging, so they sound fresh, polished and vibrant.The EP kicks off with ‘Highway’, which merges a 4×4 beat with rolling breaks. A funky bassline drops in along with a vintage melody. As the track develops, D’Julz adds more layers to create a symphony of retro sounds, all bouncing off each other to produce a delightful, uplifting cut.Next up, ‘Your Mom’s Fav DJ’ also utilises breakbeats to drive the track forward, with a solid groove undulating in the low end. Sultry pads add depth, while Rhodes keys usher in the jazzy second half after a short breakdown. A smooth, mesmerising cut full of flavour. The title track begins with a mysterious riff, gradually introducing that iconic nineties organ to form the bassline. The atmosphere is enchanting, D’julz building the tension and energy with a considered approach. A cut that has a relatively simple arrangement, which creates maximum impact as it hypnotises the listener with its mystical allure.Lastly, ‘SFUMATO’ closes the EP with a touch of high class funk. This is deep house with funkadelic rhythms straight out of the seventies era. The track emanates warmth, wrapping you up in its smooth, comforting composition. A great finale for an EP that epitomises the depth and range of Bass Culture… And we’re back.