PVAS
Somaesthesia

Distrito 91 presents the second installment of its Various Artists compilation series; "Our Own Algorithm" VOL.2. Side A offers three highly dancefloor electro cuts with heavy basslines, killer drums and dreamy synth pads signed by Fabio Vinuesa, KafkaCtrl and Hoax Believers. Side B follows with the electro-funk vibe of “Telekkomunikation” and “Deep Sea” by DJ Unisex and Friedrich Ernst from Self Learning System Crew.

As one half of the Psychick Warriors Ov Gaia Robbert Heynan helped define the burgeoning sound of Tribal Techno in the early 90s, the duo produced a slyly conceptual and wonderfully cohesive body of work which included, amongst others, 3 classic albums, many groundbreaking singles and a Radio 1 Peel Session. In 1992 Heynan left to pursue a solo project under the name Exquisite Corpse and continued to release an inimitable string of House and Techno tracks, his production techniques and meshing of styles resulted in a unique signature that refuses to be categorised still to this day. For WRECKS042, Klasse Wrecks is proud to present a repress of one of Robbert's most hidden records, long out of stock around the world and well under the radar is the 'Chief' EP. Originally released in 1996 on Dutch label Prime the two tracks from the original EP have been remastered and are presented alongside two brand new and unheard versions, which have been laying dormant since waiting for the right time to peer out into the daylight. The resulting record is a wonderful capsule and insight to the body of work and creativity of Robbert, at times dark and hypnotic, introspective and heady but with the crosshairs always firmly set on the dance floor.

Argentinian musician Furz presents the twenty-third release with an incredible warm vibe for hot dance floors.

Over the past decade, Vienna-based Florian Stöffelbauer – also known as Heap, has built a consistent reputation as a skilled DJ, producer and Neubau’s label head.Isla is proud to present his latest effort “False Hope” which explores the intersections between industrial, electro and dark wave – all with a leftfield twist.As diverse as it is powerful, the 7 tracks featured here almost feel like nocturnal tales, chalking out Heap’s observations wandering through the streets of a silent city, with cigarette smoke permeating the air and sirens ringing in the distance.The cinematic essence of the release emerges from the very beginning, with the atmospheric beauty “Diall” transporting us straight into some late-80s scenery of Kraftwerkian nostalgia. In “Jetzt Oder Nie” a sharp knit of drums is placed on top of the grave frequencies of the bass: it’s indeed “now or never”, the moral imperative of the release, requiring us to take action.Throughout the whole album, hypnotic sounds punctuate the dark space, bouncing between the polyrhythmic and uplifting energies of “Inner peace” and “No Palm Too Big”, a sneaky slow-burner with a nocturnal groove and Gayna Rose Madder’s robotic voice reciting the stream of consciousness of this urban wanderer.“Trist” rises slowly yet powerfully thanks to its mystical synths covering the ground and preparing us for what comes next.The title track “False Hope” holds the unique charm of a creature effortlessly floating in between dualities. As obscure as it is airy, as delicate as it is forceful, this hybrid composition is rich in details and plot twists.At the end of this journey, “Losing time” reminds us of the urgency to take action expressed at the beginning of the album. In a rarefied canvas, an off-kilter solitary sound comes in, starting off as insistent as a car horn in rush hour, and evolving into a beautiful instrument arpeggiating the melody.Here Heap concludes his narrative for now. We like to imagine him walking away, a shadow fading in the smoke of the city as the first lights of the day appear.

EYA Records further stretches its stellar run of showcasing young, cutting-edge talent for their latest label outing, and continues to shape modern influential club sounds with Swedish-based newcomer, Eric OS.Delivering red-hot, futuristic progressive rhythms with a sleek and propulsive melodic flair, this is a first-class statement selection of impressively mature and vibrant sounds, for only his second fully-fledged EP.The title track “Spellbound” dispatches shadowy, hypnotic fairground melodies, and hints of 80’s synth-pop stylings, with a wicked, pulsating, electrified energy aimed squarely at serious dancefloors. “The Machine” brings a more introspective moment on A2; with crunchier drums and crystalline deep electro motifs, full of rich, inviting moods.On the other side “Closer” is a clubby, amped-up bass driver, with layers of bouncing peak time sounds, melted vocal snippets and intoxicating organs. And B2 “Maraton” stylishly rounds off the EP with haunting call-and-response synth lines, for a blissed-out early morning afterparty feel. Expertly intelligent dancefloor electronics.With a firm finger on the pulse yet again from London-based EYA Records, Eric OS treats us to a notably strong debut offering of imposing, smart and robust club music. Don’t miss it!

Dead Dreams Don’t Die vol 1 marks the inception of Half Grand Records, a label focused on no-frills, raw talent electronic music. This artefact contains new output from several members of legendary Borft Records. Nimam (Spregleda) gives us a riotous and exuberant Drum and Bass banger that will have your teeth jingling. Jon Doppler’s signals transform from searing blasts of psychedelia to soaring synths that will make you pine for days of yore. A Stantz drops some body music that's equal parts acid and mosh pit. The closing track is by a group specific to the label; Cracktros. Cracktros is a collaborative group project that will continue to grow as more artists join the HG fold. With this number, the collective explores fantastic textures in this riveting deep house ditty. Keep your eyes peeled on this label.