Andy Rantzen
Chambers Of The Palace

After having released an initial set of smoked-out grooves, Agonis shifts focus towards the nerve tingling aspects of his craft. On "Neutropia", Agonis' first full-length effort, the artist devotes his attention to the outer rim, shedding all earthbound notions in the process. Listeners are presented with 50 minutes of lysergic experimentation, effortlessly gliding between cerebral rhythms and more forceful frequencies.

An afterimage of a free party in Carpathian forest. First, intransigent kicks and psy-vibe that does go deep enough - slowly and sharply. Then, an overwhelming softness and progression (watch out for the looong, quiet breakdown!), acid joined by an acoustic guitar that somehow works, as well as a little bit of triggering story-telling to wrap it all upThis is a re-master and reapplication of ultra-limited Thracian CD-R from 2003. Originialy given away in Lukovit, Lovech Province, Bulgaria. It's a 3rd part of Brutaż expedition into the chillout zone of 90s Eastern Europe. Look out for more, maybe?Re-mastered and cut on 45 RPM by Tim Xavier at Manmade Mastering

Mystical dreamweaver Edward has previously brought out some of his classiest club-tooled gear for Trelik, with 2018's Rumours EP being a particular highlight in his glittering career in minimal. Breaking a protracted silence for Baby Ford's label, this new three-tracker once more takes us into the unique atmospheric zone Edward occupies with his productions. 'The Giver' has an unnerving, desolate quality but it's also rock-solid in the rhythm department, with subtle threads of warmth to balance out the eeriness. 'Memory Motions' is a spicier cut with a pronounced house jack to propel a tense set of sonic motifs, with a special mention to the wobbly organ-like chord line. 'Tuned' is the most upfront of all the tracks, using some processed piano hooks and a full compliment of nagging, funkified ingredients to make a certified, if left-of-centre, party starter.

Klon Dump launches his own imprint with two eagerly anticipated tracks on a double A-side 12-inch, KLON001. Following a string of EPs for Unterton under his Mark alias, KLON001 debuted during Klon’s back-to-back DJ set with Nick Höppner for the Ostgut Ton aus der Halle am Berghain stream. His previous releases on A Colourful Storm and Thomas Melchior’s label My King Is Light garnered adherents like Raresh and Ricardo Villalobos, and these new productions drop all pretence of subtlety in favour of aggressively memorable hooks. Includes artwork insert.

Barcelona-based radio show / record label Canela en Surco is proud to present the first compilation of the best early works of Alex Martin, a local hero and pioneer of the electronic music scene in Barcelona and a key piece in the development of dance music during the early 90's.Producing under different pseudonyms (Sideral, A3K, The Fat DB, as well as his own name, Alex Martin), he has released EPs on iconic labels such as F Communications, Klang Elektronik, Minifunk, Boozo Music, as well as his own imprint Higlamm Phonographics.This double compilation aims to capture the wide range of styles Alex has produced: from ambient, downtempo, and IDM (Elipse, Mare Nostrum, Butterfly) to NYC and Detroit-influenced house music (I Wanna Look To The Stars, Incognita, Can Make It) to minimal techno and early tech house (Planetarium, Twirl, Firewall), Alex has navigated an immense variety of styles, consistently maintaining a highly personal sound of impressive quality for someone so far removed geographically from the main centers of creation at the time.Album comes with a double-sided insert with a photo of young Alex himself and liner notes from the artist and label owners. All tracks are officially licensed from the artist and remastered from the original DAT tapes by Simon Davey at The Exchange (London).